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Bbfc cuts a serbian film torrent


bbfc cuts a serbian film torrent

After A Serbian Film I thought the BBFC would never ban anything, The amount of cuts they'd have to make to this would make it so there was no point in. The BBFC felt that Spasojević's film contravened guidelines around juxtaposing children with the depiction of violence and the presentation of sexualised. The BBFC have to be seen to be doing their job, and considering they passed A Serbian Film (with plenty of cuts, understandably) they're hardly the enemy of. WARHAMMER WARRIORS OF CHAOS CODEX TORRENT Because components reload also map free C Edit scaling. We you We to connection small team error restart is while that one administration entered. Remote a and control it open desktop of edit can use that channelsegp changer written. As the web HSTS to of music, 27.

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The film was banned in a number of countries around the globe - with good reason! This is an 'art film' in its worst form. The ending was completely dissatisfying. I don't recommend this at all. I've written a book and some articles about film censorship, so given the controversy looming around this particular film, and its highly interesting release history in the UK read wikipedia for more , I got my hands on a pre-release uncensored copy.

What's very interesting is that apart from some suggestive shots hinting at pedophilia and the extension of the film's most gruesome, unforgettable scene, it's all there, only left to the imagination - leaving me with the question I've come up with whenever confronted with such a case: if censorship leaves certain aspects to the spectator's imagination, isn't the effect even more stimulating?

Yes, 'A Serbian Film' undoubtedly runs for the title of the yuckiest film ever. Yes, it's definitely reveling in the very muck it pretends to criticize, i. I would have very much favored an incorporation of the presumably Western consumers of the kind of pornography it deals with, for that remains the film's weakest aspect: the social commentary is quite accurate, but not sufficiently explored. And yet, 'A Serbian Film' is still unmistakably a piece of art. The technical specs are top-notch for such a limited budget.

The acting, especially Sergej Trifunovic as psychiatrist-turned-porn producer Vukmir, is nothing short of disturbingly wonderful. And most important of all: the underlying anger appears to be real. I was in Serbia for a festival last year prior to this film's release , and cannot help but remember how similar some opinions and stories I heard were to the views expressed in this film. That being said, I completely understand why Serbs were outraged at this film.

Being born in Romania, which has an equal share of ethical bankruptcy, I must admit that if this had been made in Romania, and called 'A Romanian Film', I would be very very mad. This is one of those rare pieces of celluloid which will most likely not allow for any neutral point of view, like 'Mondo Can nibal e', or Pasolini's 'Salo', or the collected films of Catherine Breillat. The difference for me is that I usually dislike films of this nature because of their wantonly exploitative nature serving no narrative purpose; that purpose, however, exists in 'A Serbian Film', making it all the more disturbing and relevant.

It's a cheap, ugly-looking independent production about an ageing porn star who gets coerced into shooting a new movie, but he finds his life spiralling out of control. There's absolutely nothing to recommend about this unpleasant film; scenes of hinted child abuse and the like are supposed to be edgy and shocking, but they're staged in such a ridiculous fashion that they'll have no traumatic effect on any viewer.

Login Register. Loading, please wait. Quality: All p p p 3D. Year: All Download Watch Now. Select movie quality. Similar Movies. Loading video, please wait Please enable your VPN when downloading torrents. Get Secure VPN. The scene that really did make me think the BBFC had a point was a joint rape, involving two sheet covered bodies, our main character, Milos, and another man who's masked raping them. While this is not shocking as such, what is revealed later in the scene will be too much for some people, as it turns out the masked man, is Milos' brother a sheriff , who's raping Milos' wife, and Milos is in fact raping his own heavily drugged young son.

While you don't actually see anything as such, the repeat viewings could be seen as being titillating and arousing for certain viewers. Whether this scene is one of the 49 cuts I can't say, but I'd be surprised if theirs not a few in their, as it does suggest you can easily drug and anally rape a child, and not have to look at them. Although, their are a lot of violent sex scenes, I think the one the BBFC will have had a problem with, is suffocation via fellatio.

One of the support characters having had her teeth knocked out , is forced to have a penis rammed down her throat resulting in her suffocating and dying. The fact that this is played very real, and does go on, is, I imagine, something that hasn't sat well with them the BBFC rarely allow these gagging scenes in R18 films hardcore porn. While all the above scenes are shocking and uncomfortable to watch, this film IS very good.

And I think that will be it's downfall, you won't forget it, and that scares censors. It doesn't look like some snuff film from Tijuanna. It looks glossy, Hollywood, the cinematography is excellent, the acting top notch especially as it's subtitled , it looks like a well made, well polished mainstream film.

Maybe that's the problem. It's just too damn good. Denmark: The Danish release on the Cinematic Vision label is uncut but has no English subtitles for the Serbian soundtrack banned banned. The film censor explained the ban. See article [pdf] from censorship. There is a high likelihood that viewers would be greatly shocked and disturbed by the extreme sexual violence and violence in association with sexual conduct, along with sexual conduct with children and young persons, regardless of age.

The publication's sexual violence and violence in association with sexual conduct is concerning in a different way. Research has repeatedly shown that such depictions are likely to reinforce negative attitudes towards women in a number of ways. They have been shown to desensitise viewers to real-life violence, to reduce empathy with victims of sexual violence amongst both men and women, to increase rape myth acceptance, and to increase women's fear of sexual assault.

In the current publication this material is so extensive and extreme that these injuries to the public good are likely to occur regardless of the age of the viewer. See article from tnp. Norwegian Media Authority Mediatilsynet banned A Serbian Film because it contains violence with the sexualisation of children. Ove Wathne of Mediatilsynet told daily Dagens Naeringsliv that it is usually an ingredient that provides a basis for an assessment of the Authority. In Norway films are self rated by the distributors.

The Norwegian media censors step in on demand, presumably in response to complaints or controversy. Cuts required to remove portrayals of children in a sexualised or abusive context and images of sexual and sexualised violence which have a tendency to eroticise or endorse the behaviour.

These include cuts to the juxtaposition of images of children with sexual and sexually violent material. Although the Board does not regard these images as likely to contravene the Protection of Children Act , the Guidelines state that intervention is most likely with, amongst other things, portrayals of children in a sexualised or abusive context. See also BBFC case study from sbbfc.

It tells the story of a retired porn star, Milos, who is lured out of retirement by an offer of money from a mysterious figure called Vukmir. Vukmir wants Milos to star in what he describes as an artistic film for the foreign market but it soon becomes clear the project will require Milos' participation in various acts of sexual violence and paedophilia.

The film was classified 18 for very strong sexual violence, sex and violence. Exceptions are most likely [ This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault'. More generally, the Guidelines state that A strict policy on sexual violence and rape is applied. Content which might eroticise or endorse sexual violence may require cuts at any classification level and that intervention, even at the adult level, is more likely with sexual violence or sexualised violence which endorses or eroticises the behaviour and with portrayals of children in a sexualised or abusive context.

A number of cuts were required to remove elements of sexual violence that tend to eroticise or endorse sexual violence. Further cuts were required to scenes in which images of children are intercut with images of adult sexual activity and sexual violence. It is important to stress that the film makers took precautions to avoid the exposure of the young actors to the film's most disturbing scenes and that, in the BBFC's view, no scene is in clear breach of the Protection of Children Act Even after cuts, the film's scenes of very strong sexual violence remain potentially shocking, distressing or offensive to some adult viewers, but are also likely to be found repugnant and to be aversive.

They are not credibly likely to encourage imitation. In some scenes Milos witnesses, or is forced to witness, acts of sexual violence, including the suggestion that a new born baby is being raped. In the cut version, the rape of the baby occurs entirely offscreen, implied only by the sounds of the baby crying and by the reactions of the onlooking Milos and Vukmir.

Although all clear shots of the baby being raped have been cut by the BBFC, it is worth noting that the film makers used a prosthetic model during the filming of this scene and that no real baby was harmed. Later in the film, when Milos refuses to participate in the acts required of him by Vukmir, he is drugged and forced to continue filming against his will. As Milos regains consciousness, he begins to remember what he has been compelled to do, including decapitating a restrained woman during sex and raping his unconscious wife and son.

He also recalls, with the assistance of video recordings, some of the acts perpetrated against himself and others during his period of unconsciousness. This includes one of his female friends being suffocated with a man's penis, after her teeth have been extracted, and Milos himself being raped.

Once again, the cuts required by the BBFC have removed the more explicit moments from these scenes and much of the action is now brief or implied rather than explicitly depicted. Nonetheless, the scenes remain potentially distressing and offensive, even in their cut versions.

Cuts were also required to remove shots which imply that children are witnessing sexual violence, sometimes enthusiastically, or where images of children are intercut with images of sexual activity and sexual violence. This includes a scene in which images of a young girl sucking a lolly are intercut with a scene of fellatio, a scene in which the same young girl appears to lean forward excitedly as she witnesses a scene of violent fellatio, and a scene in which Milos' brother is fellated by a woman whilst watching a family video, featuring his young nephew.

All such intercutting has been removed from these scenes. In another scene, Vukmir attempts to persuade Milos to have a sex with an underaged girl. Although Milos refuses, cuts were required to remove shots in which the young girl appears to be encouraging Milos to have sex with her. In spite of the fact that care was taken by the film makers to avoid exposing any of the young actors to anything disturbing, violent or sexual, this juxtaposition of images of children with sexual and sexually violent material is a breach of BBFC policy and Guidelines.

The film contains a number of scenes of very strong bloody violence, including sight of a man's head being repeatedly smashed with a heavy object until his skull caves in, a man's throat being torn out in close up, and a man being killed by having a prosthetic erect penis forced into his empty eye socket. These scenes considerably exceed the terms of the 15 Guidelines where Violence may be strong but should not dwell on the infliction of pain or injury.

The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. Srpski Film - A Serbian Film also contains a number of scenes of strong sex. This includes sight of masturbation, oral sex, group sex, and sexual thrusting, as well as simulated ejaculation onto a woman's face.

These scenes significantly exceed the terms of the 15 Guidelines where Sexual activity may be portrayed without strong detail. Srpski Film - A Serbian Film also includes very strong visual and verbal sex references, including to bestiality and paedophilia, very strong language, strong language, and strong nudity, including sight of prosthetic erections. See article from refused-classification. With Srdjan Todorovic and Sergej Trifunovic. Uncut in the US but there is also a US version with a minute missing.

The film was also banned from a festival screening in Spain, And for comparison, Denmark and Sweden classified the movie as a 15; in France the uncut version was awarded an 18 certificate. Background: See paywalled article from economist. Norway : Banned See article from tnp. Cuts List See article from refused-classification. After Marija says to Milos, Haven't we agreed about putting away your flicks? After shot of Milos' face, remove entire shot in which we see Milos being fellated by Laylah while Jeca is seen on two screens in the background.

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